Also, there's one more photo here than days left until we live in the same place.
02 May 2008
28 April 2008
A Belated Defense
Time for a Calling Out
Heard some of your music, "William." You've improved over the years.
-an old friend
23 April 2008
Tales of Shame, and Also of Delight
22 April 2008
11 April 2008
Waiting for Obama
- Twitter / thespacebase: The Obama ticket line is al...
- Twitter / thespacebase: I'm in line in front of the...
- The Spacebase: Multimedia message
- Twitter / thespacebase: We're blocking streets-for ...
- The Spacebase: Multimedia message
- The Spacebase: Multimedia message
- Twitter / thespacebase: @BarackObama your people co...
- The Spacebase: Multimedia message
- Twitter / thespacebase: I'm smelling grilled cheese...
- Twitter / thespacebase: Just stepped on an animal f...
- The Spacebase: Multimedia message
- The Spacebase: Multimedia message
- The Spacebase: Multimedia message
- The Spacebase: Multimedia message
- Twitter / thespacebase: Got ONE ticket. Makes me sad.
09 April 2008
Multimedia message
Multimedia message
Multimedia message
Multimedia message
Multimedia message
Multimedia message
23 March 2008
Ooh, swish!
20 March 2008
29 February 2008
Record Companies Keeping the Money From File-Sharing Suits
And not giving any to the artists they're 'protecting.'
Fuckers.
28 February 2008
Matthew TRISLER has sent you a link to "Leaked LEGO Sets Feature Old School Spaceships, Tentacled Space Skulls" on Boing Boing Gadgets
Matthew TRISLER has sent you a link to "Leaked LEGO Sets Feature Old School Spaceships, Tentacled Space Skulls" on Boing Boing Gadgets.
<a href="http://gadgets.boingboing.net/2008/02/28/leaked-lego-sets-fea.html">http://gadgets.boingboing.net/2008/02/28/leaked-lego-sets-fea.html
"SWEET. Legos haven't been as cool since they started putting faces other than smiles on the figures, and cross-promoting with big movie franchises. This seems like a step back in the right direction."
Matthew TRISLER has sent you a link to "UCCTOP Xeno Laptop for Video Editors, People Who Enjoy Knobs" on Boing Boing Gadgets
Matthew TRISLER has sent you a link to "UCCTOP Xeno Laptop for Video Editors, People Who Enjoy Knobs" on Boing Boing Gadgets.
<a href="http://gadgets.boingboing.net/2008/02/28/ucctop-xeno-laptop-f.html">http://gadgets.boingboing.net/2008/02/28/ucctop-xeno-laptop-f.html
"I'm a Mac fiend, so this isn't THAT wonderful, but still... Look at the knobs and sliders! It's a thing of clumsy but tangible beauty."
25 February 2008
21 February 2008
I Need a New Plan
Over the last couple weeks, I applied for a position with the Teach for America organization.
I heard back today. They don't want me.
I'm gonna need a job in Memphis. Anyone who has an idea what a Creative Writing major can do for a living in that fair city, please let me know.
Turns out the 'blood for oil' thing is true. Again.
Oh, groan.
19 February 2008
More Self-Promotion, This Time With Moving Pictures
Let's try this again. I play as William Wolfe.
16 February 2008
Shameless self-promotion: Show on the 24th

Click the image for its animation. I don't know why it doesn't like to work as-is.
When I play music, I'm usually using a name that's not mine. I just feel like it, that's why.
I'm William Wolfe, and I have a show coming up on the 24th. If you're within an hour of Muncie, you should come.
More information here.
14 February 2008
...moi plus
12 February 2008
Photo 48
I'm gonna leave the library now. I'm very tired of being here, but I don't want to walk home. And I'm gonna wait for you to call again.
Eleanor Rigby: Sonic Illustration of Loneliness
The Lennon/McCartney composition, Eleanor Rigby, is apocryphally credited to just Paul McCartney, and with pretty good reason; there's not a lot there lyrically that would be identifiably Lennon's. It could be argued that instead of being a Lennon/McCartney compostion, "Eleanor Rigby" should really be considered a Paul McCartney-George Martin composition, owing largely to the centrality of Martin's string arrangement for the song.
Martin's arrangement was only ever really given its due in the Beatles' Anthology collection, released in the mid-nineties, wherein the vocals were removed, leaving the doubled string quartet (due to the fact that it was a string quartet recorded over itself, it can't really be called an 'octet') had the original tracks remixed into stereo, allowing the cellos to embrace their throaty hum and quick runs up the scale, the violas to take their quarter-note stabs, and the violins to carry the higher registers.
Martin's arrangement, in stereo, is easily among the richest sounds I've ever heard. The studio reverberations are at the absolutely correct level; they neither overpower nor distract, but they do add a necessary since of urgent distance to the mix, without which, it could not respond so movingly to the lyrics of the song. It's a shame the quartet on the Revolver version is compressed into one mono track, panned dead center.
Whoever remastered Revolver for stereo made some very odd choices. After the introductory chorus, with the choir of McCartneys surrounding the listener, the recording engineer made the odd choice of suddenly panning McCartney's vocal hard right, and doing it right in the middle of the word "Eleanor." The choice is very distracting, and it draws attention away from the song and towards the mix--which should only happen to recording engineers--of which I am not one. Another result of this hard pan is that the verses, panned all hard right (though I doubt they're mixed any quieter than Paul's solo "All the lonely people" at the end of every verse) sound quite a bit quieter than the vocals at any other point on the track, by virtue of coming out of one speaker instead of two.
This creates, I think, an unintended correlation between the mix, rather than the music, and the lyrics. While Eleanor Rigby and Father McKenzie isolate themselves in the church--which grows increasingingly irrelevant to anyone outside (which, in this case, is literally everyone but Rigby and McKenzie)--McCartney's vocal withdraws itself from the focal point of the mix.
Ah! but the universal sentiment, "Where do they all come from," fills the speakers on both sides of the listener, saying "I am the whole point of the song! Listen to me!" (As though the fact that it's the chorus wasn't enough.) But the quick pan to right in the middle of the word "Eleanor" startles the listener into paying close attention to the verses--the specifics which illustrate the general chorus.
For me, however, the most curious fact of this song is that, despite how perfectly the string arrangement locks into the lyrics, there exists a fair number of covers of the song, some of which eschew the strings altogether. I know Ray Charles has a version, which draws nothing but mixed reviews--"It's Ray Charles, so I can't hate it," a friend of mine said, "but... it just doesn't work."
There's a hard rock cover by Vanilla Fudge, too... but my copy of that record is so badly scratched as to render "Eleanor Rigby" unlistenable. But from what I heard, the insane rock organ that fills the record more than makes up for the lack of string parts. It's not a very faithful cover, and that's fine--probably preferable, if they weren't able to score George Martin to record the exact same string quartet playing the exact same way.
Jackie Wilson's soul version is perhaps the most confusing. It has its own string arrangement, and a real, swinging beat... but the orchestration is ill-advisedly busy, and the beat makes it feel less like either "Eleanor Rigby" or almost any Jackie Wilson I've ever heard, and more like a Tom Jones-type smarmy sex jam. I tap my feet with the beat, and I want to drive around in a Mini Cooper wearing an ascot, pointing and winking at every pretty girl... and maybe this works too, I guess. Even a crazy, swingin' cat like Tom Jones, who has panties thrown at him every night, has to feel lonely, too. Right?
The Aretha Franklin cover is, well, just a disappointment. It sounds like the backing band is Booker T. and the MGs, which is totally enjoyable in its own right, The soulful electric piano lines are beautiful, and again, I bounce along with the beat. This is Aretha Franklin, and she can really do hardly any wrong, but, I'm sad to report, here she does. She drops a line or two from each verse, invariably the line I feel is most central to the verse. Perhaps most ill-advisedly, she claims by saying "I'm Eleanor Rigby." Which is is just fine until the last verse about Rigby being buried.
I know Aretha sings soul, and probably believes in an eternal soul (how's that for a baseless claim?), but she doesn't sing the song like a ghost. There's too much vitality and sheer energy.
The main point I would like to make here is that "Eleanor Rigby" is a song, not a poem. The lyrics are poignant, and in the right context, moving, but the right context for these lyrics is, I feel, George Martin's delicate and reserved string arrangement. It provides the perfect setting to make sure these lines do not descend from pathos into bathos. Though it is a valid pursuit to discuss a song's lyrics separate from its music, it can be a faulty pursuit. In the case of "Eleanor Rigby," it feels plain to me that the song loses much of its meaning once lyrics are separated from music.
10 February 2008
It's coming
06 February 2008
The Hawaii Chair
The first-time user testimonial is also amazing.
05 February 2008
This Weekend
I went to a party. I had fun at the party; you probably wouldn't guess by looking.
There's a song by Two Gallants, called "Nothing to You," that just came up on my iPod. I'm liking it. It has a line, "I'm as gay as a choir boy for you."
thump thump thump, that is all.
24 January 2008
21 January 2008
Flip on the TV, we may pick him up on Channel Two.
19 January 2008
An American pineapple, of the kind the Axis finds hard to digest, is
On those photos
Women workers install fixtures and assemblies to a tail fuselage
Women workers install fixtures and assemblies to a tail fuselage section of a B-17F bomber at the Douglas Aircraft Company, Long Beach, Calif. Better known as the "Flying Fortress," the B-17F is a later model of the B-17 which distinguished itself in acti, originally uploaded by The Library of Congress.
This girl in a glass house is putting finishing touches on the
This girl in a glass house is putting finishing touches on the bombardier nose section of a B-17F navy bomber, Long Beach, Calif. She's one of many capable women workers in the Douglas Aircraft Company plant. Better known as the "Flying Fortress," the B-1, originally uploaded by The Library of Congress.
18 January 2008
14 January 2008
13 January 2008
Poetry kicks ass, but it kicks mine, too.
Mark Halliday on Mary Ruefle's "Perfect Reader," from his essay, "The Arrogance of Poetry," from The Georgia Review (but I don't know which issue):
"The satisfactions of imagining a lover's embrace, imagining 'fucked-up beauty' in a tree, imagining a man who describes a flower in comically abstract language: such satisfactions may put a swing in one's stride but cannot become the same as having a lover. The summer of imagining will subside into the winter of isolation, and the speaker will return to awareness of her own lack of a spiritual home.
[. . .]
"The poem turned out to be good, so I'm not ungrateful; indeed, my life is enriched by the poem--but now where am I? I'm on the first page of Post Meridian, a book containing more than seventy poems; and one of the many other books around my desk is Ruefle's more recent Among the Musk Ox People. How much can I respond to? What will become of me? When can I have lunch?
"Standing at the beginning of a book, "Perfect Reader" seems a warning: It is beautiful to try to be a perfect reader of poems. And you are fated to try. But your imaginative efforts will be tiring and endless, and they could bring you to a condition of overexposed vulnerability, with newspapers as your only blankets."
Every Christmas, I recieve at least five books of poetry. Every semester, I buy at least five books of poetry for class. I fully intend to read all of them. But there's no way I can adequately expose myself to the inherent meaning of all of those poems.
A poem is so short and yet demands so much scrutiny in order to be properly understood and enjoyed, that each good poem--and I stumble into so many worthwhile, if not necessarily good poems--requires at least an hour to itself. I can't do it. There is no human way to be an adequate reader of poetry.
And yet I try. And I live for the trying.
06 January 2008
Lady Tiger! On the Prowl!
And then taking a hilarious headline (and a pretty good subhead) in the San Diego CityBeat.
I know, I know. Someone died. I should take this seriously. But "Lady Tiger on the Prowl" is a Hall & Oates song waiting to happen. I call Oates.
actually thom yorke looks mostly like an emo clapton who has something stuck perpetually in his eye.
Seriously. Check minutes, um, six on.
30 December 2007
What We Are
Major life decisions are being made at a rate and momentum incapable of being registered on any currently available scale.
All afternoon
Kerry and I have been almost completely incapable of accomplishing anything. Almost two months 500 miles apart have us sitting across the table--me trying to write, her trying to do her NY Times marathon--and just staring at each other, grinning. I occasionally have to go the bathroom for victorious powerslides and karate kicks.
She is beautiful. She is incredibly smart. She does certain things that just absolutely kill my ability to think and reason. She is my girlfriend, and I'm keeping it that way.
25 December 2007
24 December 2007
About 48 hours left.
She's pretty hot. And brainy. And I get to call her my girlfriend. And I get to see her the day after Christmas.
And, like, kiss & stuff.
Happy/Merry, Y'know.
Just trying to live in love as best I can. The kid in the middle did a better job of it than most of his American admirerers ever managed to.
Joel Osteen, I'm looking at you. I don't trust church because of you.
Rich people are to heaven as camels are to the eyes of needles. Go ahead with the Health/Wealth/Prosperity heresy, for all I care. Jesus wants room in heaven for a dance party anyway.
Thanks for the reminder, and the links, Headphonaught. I wish I could finish the article. It makes me too angry to finish.
22 December 2007
oh noes!
Run, Russian urban peasantry, run!
(story at boing boing.)
More real stuff later.
18 December 2007
16 December 2007
I'm probably not going to finish this book
At the beginning, it was clever and funny--and the way the author tied himself into the plot was brilliant. But once it became clear that the author-as-character wasn't completely impotent/incompetent, the charming hilarity juxtaposed with the long-winded and muscular yet carefully chosen and delicate prose of all Russian classics faded away. It's all a ploy. The middle of the book (where I am) is terrible.
Shteyengart is too entirely pleased with himself and the hilarity of his creation and his narrator. Gag.
I liked Misha for a good hundred pages. It was a bit cloying, sure, to have a 300-pound Russian Jewish immigrant to the United States living large and enjoying a life of American hiphop and his hispanic Bronx girlfriend. He's a rich gourmand. Like all good Russian protagonists. It was great! Life was good when the book felt like a tribute to Tolstoy, Turgenev, and Gogol; when the book was successfully lampooning both American hubris and Russian mobsters. Seriously, the protagonist was named Misha Vainberg. Gogol's characters all had allegorical names like that. It was great. He's a self-centered wealthy gourmand. Like all good Russian protagonists.
Yes. I've read Crime and Punishment. And I have yet to finish it, either. I know Raskolnikov was neither rich nor a gourmand. But three hundred pages into that book, I still believe the poor, scrawny, nervous Raskolnikov. One hundred forty-one pages in, and I've given up on Misha.
All of which is to say I've abandoned better books than Absurdistan. Life is too short for me read something I don't enjoy. Unless I'm being graded on reading it.
13 December 2007
Super 8 + Zombies = Freaking Sweet (but not like you think)
The Zombies' "This Will Be Our Year" is way up on my list. I would argue, in certain rare moods, that it's an even better love song than "God Only Knows." But rare moods indeed.
Also, apparently, these movies were shot by the filmmaker's parents. Which is extra sweet.
via Look at This...
12 December 2007
The Reason for Saying I've Got a Crush
Which just makes me want you more.
I want to turn the things I'm learning into a crayon drawing and hang them on my refrigerator for you to see and admire.
I'm back in the fifth grade when I think about you.
09 December 2007
Helvetica on Studio 360
Geeking out about typefaces should be the new national pasttime. But maybe that's me, speaking as the guy working on a book of poetry about typefaces.
06 December 2007
"Little Drummer Boy" by Low
I think the "slowcore" label Low gets saddled with is unfair and inaccurate, but listening to their langid-but-still-somehow-incredibly-tense version of "Little Drummer Boy," I want to hit 'repeat one' and curl up under a blanket under my parents' aluminum Christmas tree and sleep until New Year's.
A live version, via Hype Machine: Low - Little Drummer Boy
I'd rather be in Tokyo, I'd rather listen to Thin Lizzy
Seriously. Weird. (via Boing Boing, at that. Purveyors of weird.) I mean, I understand the desire to take care of a pretty wounded girl (wounded pretty girl)--but post-dance party Kerry feet never really did much for me. Apparently, the, ahem, "Lawrence Nightingale" effect does work for some people.
It's cold here. Really cold. (Not the coldest I've ever seen, not by a long shot, but the snow makes it wet, too. Which is not pleasant. I track snow into my apartment. and I can't just kick my shoes off at the door either; I'm wearing my four-year old Doc Martens for marginally better snow navigation (though the lack of traction allows some INCREDIBLE ice slides), and them shoes' a pain to get off.
So yeah. I'd rather be in Tokyo. Anywhere warmer or more interesting. I'd prefer Memphis. Or even the legitmate cold of more northerly climes. But I'd take Tokyo. I'm listening to podcasts. On the Media, currently, but I'd rather listen to Thin Lizzy:
Edit: There's something wrong with me--I'm a cuckoo.
05 December 2007
Idea: Voter's Debates
03 December 2007
correction
01 December 2007
Head is churning, but Alas!
29 November 2007
28 November 2007
So There's This Book of Poems I've Written, and They're Mostly For or About You
So I'd like you to have it.
Thus began my big serious high school dating relationship.
I'm gonna have some poems for sale next week. If you're in Muncie, you should drop by and try to get one of the 16 broadsides I'll have for sale as part of the Manifesto Mart, which consists of the sale of handmade projects from Dr. Rai Peterson's ENG 347/Manifesto Poets class.
Mine are not about girls, explicitly. They're collectively referred to as the Type series, and deal with the intersection, interplay, and interference between notions of text-as-visual and text-as-content.
Sound pretentious? When I put it like that, it is. But it's also about best friends, zombies, anthropodermic bibliopegy, sexualized architecture, the way birds don't get out of the way of your car until the last possible second, reanimated Roman emperors, booze, Chicago, Noblesville, fireflies from Thailand, and--yeah, okay, you're right--girls.
Looking at it now, that's a lot of things for four poems to be about. I mean, seriously. I read a lot of current surrealism, and maybe that's why. Dean Young, Tony Hoagland, Gabriel Gudding, and David Berman have all changed/are in the process of changing my life. So expect that kind of thing.
The series, as it stands right now, includes the poems "Ligature," "Futura Medium," "Times New Roman," and "A Colphon."
It's possible that something else will be swapped with "Times New Roman," because I really hate that typeface. (I hate Georgia, what this blog is set in, but it is, sadly, about the best option Blogger provides.)
Four beautiful, screenprinted broadsides of each poem will be available. Though they are a series, they'll be sold individually, at $5 a piece. Collect all four.
The picture above is from my Flickr Stream. Flickr Terms of Use require me to link to Flickr. So here you go.
27 November 2007
Somebody get Facebook to Pay Me Some Serious Money

EDIT: Facebook uses Lucida Grande, I've just realized. I should have recognized it. I use a Mac. It's fucking everywhere.

